Mythology- Romulus And Remus Essays - Roman Mythology,

Mythology- Romulus and Remus Mythology- Romulus and Remus A myth is a complex cultural phenomenon that can be approached from a number of viewpoints ("Mythology"). Mythological creatures are usually developed to explain something or to give a reason why something exists. Most Gods have a supernatural power or force, which makes them a God. Some mythological heroes are known as divinities, for the great things they have done. Romulus and Remus are two of the most well known mythological divinities, they were born of a vestal virgin, and they were the mythological founders of Rome. Of all mythological creatures Romulus is one of the better known. They were seen as the mythological creators of Rome. The citizens of Rome worshipped Romulus and Remus because they were believed to have created the city. They were made up to explain the mysterious appearance of Rome. Overall they are two of the most famous mythological creations. Romulus and Remus were born into an unforeseen set of circumstances. They were born of the Vestal Virgin, Rhea and the God of war, Mars. King Amulius sent them down the Tiber River so he would be able to deny their death, but they did not die. They were found by a she-wolf and a bird that fed and nurtured them to health. They were later found by a shepard, Faustulas, who brought them home to his wife Acca. Faustulas and Acca then raised them until they were strong adults. Romulus and Remus were made up to explain the creation of Rome. Romulus and Remus founded the city of Rome on the place where they were to be drowned (Rosenburg 113). To name the town, since neither one was older they decided to split up and see who saw the first sign. "Six vultures, the bird of Mars, flew over Remus's head, moments later twelve vultures flew over Romulus's head. Romulus was the true victor"("Mythology: Romulus"). The city Rome was named after Romulus (Jay 60). A few years later while arguing over plans for the city, Romulus killed Remus. Romulus was the roman leader for forty more years until the Gods killed him. Moreover, they were greatly known and appreciated for what they developed and stood for. These Gods and Goddesses were born, fell in love, fought with one another, and generally behaved like their human worshipers (Littleton 813). The people of Rome made up these creatures to give them answers but at the same time they gave the world one more great story. Romulus and Remus were strong heroes who built a great divinity out of nothing. In conclusion, Romulus and Remus were great names in mythology, were abandoned at birth and were the creators of the great city of Rome.

Analysis of Guy Montag Essay Example

Analysis of Guy Montag Essay Example Analysis of Guy Montag Paper Analysis of Guy Montag Paper Essay Topic: Fahrenheit 451 This shows the mindset Montage has. It Demonstrates how he gets Joy out of his Job. In the society he lives In books are Illegal and firemen start the fires rather than put them out. Montage Is such a man and enjoys It greatly. He Is completely happy with demolishing pieces of history and written pieces of art. As he says, it never went away, that smile. It never went away, as long as he remembered. (Bradbury, 2) On a merry walk home from his beloved Job, Montage is nearly UN over on the side walk by a life altering girl. In meeting Claries, the girl, Montages mind starts working in ways it never had before. With Just one question, Are you happy? (Bradbury, 4) she sets way for future events that otherwise would have never happened. Montage starts to doubt whether the way he lives his life is really Joyful. He starts to realize that he laughs when not really amused and answers without thinking about the question or his answer. He doesnt really think much at all. And Montage realizes He is not really happy in the least. This makes him notice the truth about his marriage, as well. Montage and Mildred Montages marriage is very much empty. When he tries to confront her about how she eels about him she avoids or brushes it aside. He comes to the realization that all she really loves is her television, or parlor. Their marriage eventually deteriorates completely as she comes to believe he is crazy because he made her read with him. She runs away but not before calling his own department on him first. Montage comes to the realization that he hates what he Is and the society he lives In. HIS fascination with books continues to grow, but at first he blames the Hand for It. When he would sneak books Into the house he would curse his hand for the action, hulking It had a mind of Its own. He was a confused Individual because all he knew was books were bad and yet all he grew to want was books. He went to see Professor Faber, a man he talked to years before about books, he found out that It was really he who grabbed the books not his hand. He grew to hate his job and society so much that on a call to his own home he ended up killing his boss. And facing his fear of the Mechanical Hound Ana the very people a day before he thought he liked. The change Montage goes through is grand and amazing. Ignorance was bliss and e fought past it and became an intellectual. People tend to destroy things that they deem a threat to them and that is exactly what the government in Fahrenheit 451 did by televising his death and capture. The entirety of this novel is a story about change, from the first page to the last chapter. With change in italics the novel begins with, It was a special pleasure to seething eaten, To see things blackened and changed. (Bradbury, 1) Montage goes from changing things by destroying them to changing society by preserving know Edge which, in turn, changes him.

Superb electric cars you should know about

Superb electric cars you should know about 5 coolest electric cars in the world No doubt, electric cars can be called the automobiles of the future. Though a lot of people only start to accept these vehicles, trying to make a step forward from petrol consuming cars. The industry develops greatly and there are a lot of descent representatives among the electric cars range, which will astonish you and will not leave you indifferent. Our nature friendly future welcomes such cars and we suggest you to reveal all design and functionality options of these progressive cars. Tesla Model X A lot of specialists consider this car the coolest for now. Tesla Model X has outstanding design; its Falcon Wing doors give it special elegancy and refinement. The interior attracts its buyers with the windshield, which is panoramic, and touch screen for functions controlling. There are three models of this car available: Model 75D, Model 90D and Model P90D. All of them have two engines and differ in battery capacity and engine power. The car can have five, six or seven seats and its price range is from 132 to 142 thousand dollars. However, Tesla Inc. already plans issue of new breakthrough model in 2019. So, let’s arm ourselves with patience and see what the company has designed for customers and whether it can surprise us. Audi R8 e-tron Cool design of this car can hardly leave someone without interest. Two electric engines, which total capacity reach more than 450 horsepower, make it possible to move with 280 kilometers per hour. Huge lithium-ion battery is located in the bottom of the car and makes it possible to have rides with the 450 kilometers without additional charging, in comparison to 215 kilometers, which could drive its predecessor. The car’s charging station requires only two hours for charging the battery. The functional capabilities and outstanding design make this car a superb model for those, who want to own an electric car. Renovo Motors Coupe Designers of the Renovo Coupe developed design of this car similar to sport car exterior of the 60-70th. The retro style, combined with the classical interior, makes this car unique and not alike others. The classical interior is distinguished by the liquid-crystal control panel and astonishes with its luxury style. Electric engine of the Renovo Coupe has the 500 horsepower capacity and enables to pick-up the speed from 0 to 100 kilometers per hour in 3-4 seconds. The maximal speed of the car equals 194 kilometers per hour, which is quite impressive, taking into account the heavy weight of the car. The approximate price of the car is about 529,000 dollars and for sure it will be available to a limited number of people, but driving this car will be a great experience for any of us. Morgan EV3 The car is made by the British constructors and represents by itself an untypical automobile. You can drive almost 240 kilometers without charging and pick up to 145 kilometers per hour. If you want to be an owner of such unusual car, be ready to spend from 40,000 to 50,000 dollars. The only thing you should bear in mind is that this automobile has no top. So there can be two options, drive this car only when the weather is fine or get adjusted to any weather conditions. Honda CR-Z prototype This electric car is distinguished from the above mentioned cars by its four engines, which together make 450 horsepower.   The car is extremely fast and is designed for sport racings. Thus, in 2015 the car won the 11th place in overall and first in the Exhibition Class at the Pike’s Peak International Hill Climb. However, the idea with four engines is great; it still requires some improvements and modifications. Presumably, Honda will deal with this question in the nearest future. Apparently, these are the coolest electric automobiles nowadays. Unfortunately, they are unavailable for ordinary people, who ride bikes to work or students, who have a lot of concerns with their academic papers and limited budget. Anyhow, follow the latest researches and constructions and you never know, maybe tomorrow you will be driving one of those cuties.

How to Become an Author The Ultimate Guide from a Bestseller

How to Become an Author The Ultimate Guide from a Bestseller How to Become an Author: Your Complete Guide So you want to become an author Well, I’ve got good news and I’ve got bad news. The bad news first: Writing your book wont be easy. If you’re in the middle of that process, you’re nodding right now. But here’s the good news: All that work isa small price for the amazing possibilities it can open to you: Getting published Enjoying a career you love Impacting people with your writing Media attention Royalty income In this extensive guide, my goal is to give you an honest look at how to become a writer- using lessons I’ve learned from 40+ years working with some of the top publishers in the world. Having written 21 New York Times bestsellers myself, I’m confident these lessons will help you in your writing journey. Ready? Let’s do it. What You Will Learn Here’s the short version of everything I cover in this complete, step-by-step post: DON’T Try toBecome an Author Until Youve Studied the Craft and Polished Your Skills Written Things Shorter Than a Book Plugged Yourself into a Community of Writers Writing Your Book Create a Writing Schedule You Can Stick to Research and Plan Keep Your Day Job Become a Ferocious Self-Editor Trying to Land a Publishing Contract How to Get an Agent Selling a Publisher Editing Your Book Like Crazy (Again) with an Editor Should You Self-Publish? An Overview of Self-Publishing How to Set Your Book Apart Choosing the Right Self-Publishing Company The #1 Killer of Self-Published Books Want to save this 5000-word guide to read later? Click here to get a free PDF version you can read anytime. 1. DON’T Try toBecome a Writer Until You’ve I get it. You’re antsy. You’re ready to pen your bestseller right now. You’ve read or heard of writers who had never written a thing before and yet scored with a million-seller on their first try. Throttle back. Those stories become big news because they’re so rare. Don’t bank on winning the lottery. If you want your book (and your message) to go anywhere, make sure you’ve: Studied the Craft There’s no need to write a compelling story by trial and error anymore. Others have already done it for you- and written books about it. So your best bet is to follow proven methods. Great writers are great readers. Sohere’s a list of my favorite 12 books on writing to get you started. The competition has gotten so fierce, you’ll do yourself a favor if you learn how successful authors write before you try to get a second look from a publisher. Take the time to learn what you’re doing. You’ll thank yourself later. Written Things Shorter Than a Book A book shouldn’t be where you start any more than you should enroll in grad school when you’re a kindergartner. A book is where you arrive. Start small, learn the craft, hone your skills. Do some journaling. Write a newsletter. Start a blog. Get articles published in a couple of magazines, a newspaper, an ezine. Take a night school or online course in journalism or creative writing. Publishers are looking for authors with platforms (in short: audiences, tribes, followers, fans). So start building yours now. Any of the pieces above will start building steam behind your writing, and boost name recognition for you as a writer. If you’re planning to start blogging, check out this post on creating an author website. Bottom line:Work a quarter-million clicheÃŒ s out of your system, learn what it means to be edited, become an expert in something, build your platform, and then start thinking about that book or novel. Plugged Yourself into a Community of Writers Think you can do it alone? Then you’re a better writer than I. Almost every traditionally published author I know is surrounded by a helpful community. How else would they deal with things like: Frustration Discouragement Procrastination Wanting to quit I’ve written over 185 books, yet I often wonder whether I can finish the next one. At this stage for me, community means knowing I can be encouraged by colleagues whenever I need it. When you’re starting out, another pair of eyes on your work can prove to be invaluable. Ten pairs of eyes are even better. Join a writers’ group. Find a mentor. Stay open to criticism. One caveat with writers’ groups: make sure at least one person, preferably the leader, is widely published and understands the publishing landscape. Otherwise you risk the blind leading the blind. 2. Writing Your Book Surprisingly, most people never get this far. Whether it’s fear or procrastination or something else, few writers ever make it to the first page. To avoid becoming part of this sad group, you need a plan. So regardless your personal writing method, be sure to cover these bases: Create a Writing Schedule You Can Stick To When you’re an author, writing becomes your job. So treat it that way. Show up and do the work whether you feel like it or not. Writer’s block is no excuse. In no other profession could you get away with getting out of work by claiming you have worker’s block. Try that and see what it gets you- likely a pink slip. Find at least six hours a week to write. Well, find is the wrong word, of course. You won’t find it, you’ll have to carve out the time. Lock these hours into your calendar and keep them sacred. If you can’t think of what to write, then edit. If you can’t edit, plan. You’ll be astonished at your ability to get stuff done when you finally plant yourself in your chair. Challenge: Don’t move until you have scheduled at least six hours. Research and Plan To give your manuscript the best chance to succeed, skip this step at your peril. Excellent preparation will make or break your book. Two main ways you should be preparing: 1. Outline. Regardless how you feel about outlining, you need an idea of where you’re going before you start. If you’re writing a novel, you’re either an outliner or a pantser- those who write by the seat of their pants. (If you’re writing a nonfiction book, an outline is a given.) On the fiction side, the definition of an outliner is obvious. You plan everything beforehand. But pantsers write by process of discovery- or as Stephen King puts it, they â€Å"put interesting characters in difficult situations and write to find out what happens.† Neither is better or worse. But most writers are one or the other (a few are hybrids, largely one over the other but doing a little of both). But, depending on which you are, you’ll approach the planning phase completely differently. If you’re a hardcore outliner (and a novelist), you’ll enjoy my friend and colleague Randy Ingermanson’s Snowflake Method. But if you’re a pantser, check out this post for non-outliners. Itll teach you how to work within a structure while staying free enough to writeon the fly. 2. Do the research. All great stories are rooted in solid research. If your research stinks, your story sinks. If your character drives 10 miles east out of the Chicago Loop, he’d better be in an amphibious vehicle, because he’ll be in Lake Michigan. (And you thought I was joking about sinking.) To avoid such embarrassing errors, do your research. Immerse yourself in the details of your setting. Make sure no characters are wearing ski jackets when it’s 95 degrees outside. Two online research tools that will help you avoid mistakes: The World Atlas A directory of some of the world’s top almanacs Don’t Quit Your Day Job I didn’t become a full-time freelance author until I had written and published nearly 90 books. I had been advised by a veteran author that my freelance income ought to be around three times what I made at my job before I considered going solo. I was stunned. Why so much more? He started listing everything I would have to pay for on my own. Insurance, retirement, all my benefits. I had always been careful to separate my writing and my office work, but during my off hours on business trips I might do some research. No more. Any travel would be on me. Your day job doesn’t have to keep you from writing your book. You might not like this, but I recommend you keep it and spend your after-hours time writing your book. Why? Two reasons: You’ll have steady income- one less thing to worry about- while trying to build your writing career. The structure will force you to be more productive with fewer hours. So, yes, you can have your cake and eat it too- without sacrificing time with family. You lose three hours per night for what, TV? How big a sacrifice is that for your writing dream? How badly do you want to become an author? Become a Writer Ferocious About Self-Editing This section is so important that it has the power to determine whether your book makes a huge splash with readers and publishers- or slides into the editor’s reject pile after the first page or two. Get serious about self-editing. Editors know from the first page whether your manuscript is publishable. I know that doesn’t sound fair or even logical. You’re thinking, It took me months, maybe years, to write hundreds of pages and you didn’t even get to the good stuff! How could they do that to you? Why did they? First, the good stuff ought to be in the first two paragraphs. And if they see 15 adjustments they need to make on the first two pages, they know the cost of editing three or four hundred pages of the same would eat whatever profits they could hope for before even printing the book. To avoid the dreaded â€Å"Thank you, but this doesn’t meet a current need† letter, your manuscript must be lean and mean, besides being a great story and a great read. Here are my 21 rules of ferocious self-editing: Develop a thick skin. Avoid throat-clearing. Choose the normal word over the obtuse. Omit needless words. Avoid subtle redundancies, like: â€Å"She nodded her head in agreement.† Those last four words could be deleted. Avoid the words up and down- unless they’re really needed. Usually delete the word that. Use it only for clarity. Give the reader credit. Once you’ve established something, you don’t need to repeat it. Avoid telling what’s not happening. Avoid being an adjectival maniac. Avoid hedging verbs like smiled slightly, almost laughed, frowned a bit, etc. Avoid the term literally- when you mean figuratively. Avoid too much stage direction. Maintain a single point of view (POV) for every scene. Avoid clichà ©s, and not just words and phrases, but situations. Resist the urge to explain (RUE). Show, don’t tell. People say things; they don’t wheeze, gasp, sigh, laugh, grunt, or retort them. Specifics add the ring of truth, even to fiction. Avoid similar character names. In fact, avoid even the same first initials. Avoid mannerisms of punctuation, typestyles, and sizes. 3. Trying to Land a Publishing Contract Want to save this 5000-word guide to read later? Click here to get a free PDF version you can read anytime. I’m not going to sugarcoat it- this isn’t easy. But if you have a solid plan (and if you’ve followed the guide), you’ve got as good a chance as any. This section will show you how to become an author by revealing the options available. These best practices can vastly increase your likelihood of getting published. How to Get an Agent Your first step in trying to land a traditional publishing deal should be to land an agent- which can be just as difficult, as it should be. There will seem a dichotomy here, because you are likely writing for altruistic reasons- you have a mission, a passion, a message, something burning inside that you must share with the world. Yet agents or publishers will appear to base their decisions solely on the bottom line. If they see sales potential, they will accept it; if they don’t they won’t. But don’t despair. That doesn’t mean they don’t share your passion. It simply means they must make a profit to stay in business- even faith-based publishers who are all about ministry. Though it’s hard to find an agent, it is possible to get traditionally published without one. Most will not consider unsolicited manuscripts, though some will. Check The Writer’s Market Guide and The Christian Writer’s MarketGuide for publishers that don’t require agent-represented manuscript submissions. Some will allow you to submit at writers conferences or through other clients of theirs. Be aware that it’s not unheard of to submit an unsolicited manuscript to dozens of publishers without success. An agent can make your life a lot easier. A plethora of new doors open because of your agent’s connections. Besides the instant credibility of an agent’s approval and the knowledge that your writing has survived a vetting process, you also get valuable input and coaching on how to fashion your query and proposal from someone who understands the publishing industry, knows the players and who’s looking for what, and has experience successfully pitching publishers. Obviously, there are good agents and bad agents. How do you know whom you can trust? The credible agent welcomes scrutiny. So find reviews. Check with other clients. Ask: How did their book turn out? Did they feel taken care of? Were they pleased with the results? Feel free to ask agents: What kinds of books have they succeeded with? Have they succeeded in your genre? Once you compile a list of agents who seem to be a good fit, follow their submission guidelines. They’ll likely ask for a query letter, synopsis, proposal, and perhaps a few chapters. If any ask for any sort of reading fee or other payment up front, eliminate them as candidates and do not respond. Before you do anything else, check out these submission guidelines from two agents I’m familiar with. I’m not necessarily evaluating or endorsing them, except to say that I know them to be ethical and trustworthy and find their guidelines helpful and sound. Their pages will give you a good idea of what typical agents are looking for. Steve Laube’s guidelines Hartline Literary’s guidelines Two things you may be asked for- and which some writers struggle with: 1. A query letter This is an easy way to reach out to an agent, but many prefer more- like a full proposal, which we’ll get to. Most agents prefer submissions of any kind to be electronically submitted as an attachment, not as part of the body of your message. Avoid snail mail. Make your query letter crisp and short. The shorter (while saying what you need to say) the better. A query letter is just what its name implies- it queries the interest of the agent in your book idea. So make it stimulating and intriguing. Remember, you’re selling your book to the agent. Four essential parts of an effective query letter: a. Your elevator pitch This is a summary of your book’s premise, told in the time it would take for the editor to reach his floor if you happened to find yourself in the same elevator car. So it has to be fast and convincing. Here’s the elevator pitch for my very first novel: â€Å"A judge tries a man for a murder the judge committed.† It worked. b. Your synopsis In a paragraph, tell what your nonfiction book is about and what you hope to accomplish with it. Or tell the basic premise of the plot of your novel. The synopsis would naturally go beyond the elevator pitch and tell what happens and how things turn out. (Note: Almost any plot, when reduced to a one- or two-paragraph synopsis, sounds ridiculous.) c. Your target audience and why they’ll enjoy your book Agents need to believe they can sell it before they’ll ask you for more. Help them envision how to pitch it to publishers, but be careful not to oversell. They know the business better than you do and will not be swayed by your assurance that â€Å"everyone will find this amazing.† You can say that your audiences have been enthusiastic or that beta readers have expressed excitement. d. Your personal information Sell the agent on yourself. What qualifies you to write this book? What else have you published? What kind of tribe have you built? Where can they read your blog? Of course you’re including all your contact information. Other query letter tips: Keep it to one page, single-spaced, and 12 pt. sans serif type. Don’t sell too hard- let your premise speak for itself. Follow the agent’s submission guidelines to a T. Proof your letter before sending. Any typo on such a short document makes you look like an amateur. Here’s a great example of a query letter, with a breakdown of why it works, by Brian Klems of Writer’s Digest. 2. A book proposal You’ll find that for most agents, this is the most important document they want to see. Some want only this. Succinctly and completely describe the details of your idea and make them want to read your manuscript in its entirety as soon as it’s ready. Leave nothing out. For nonfiction, include every major issue you’ll cover and the basics of what you’ll say about it. For fiction, rough out the entire plot in a few pages. With a proposal, your query letter becomes a cover letter. Resist the urge to write a long cover letter. Allow your proposal to do the heavy lifting. Three trusted colleagues have produced masterful works on how to write book proposals, so check out what they have to offer: Michael Hyatt: Writing a Winning Book Proposal Jane Friedman: How to Write a Book Proposal (Jane also has some great material on query letters, so search her site for that, too.) Terry Whalin: Book Proposals That Sell Proposals can contain any number of possible components, such as: Premise Elevator pitch Overview Target audience Chapter synopses Marketing ideas Endorsements Your analysis of competing books, and where yours fits Up to three sample chapters More book proposal tips: Tell why you think your book can succeed. Every page in your proposal should make them want to flip to the next page. Despite that a proposal is longer, keep it tight and terse, as short as you can without cutting crucial information. Every word should be designed to pique an agent’s interest, your goal being to be asked to send your entire manuscript. Which should I choose, query or proposal? The competition is so fierce these days, I would lean toward a full proposal almost every time. The only instances when I might fire off a query would be if an incredible opportunity fell in my lap and I thought an agent could help me jump on it before I had time to craft a proposal. For instance, if a major celebrity wanted help with a book and chose you to write it, a fast letter to an agent might get a quick response. Otherwise, take the time to put together a professional proposal that shows an agent you know how to work and can be thorough. But know this: If you spark an agent’s interest, they will immediately ask for more information. So you’ll need a proposal at some point. Keep that in mind and be ready to get busy. Connecting with the Right Publisher Regardless whether you secure an agent, there are five guidelines for submitting your proposal and/or manuscript to publishers: Follow their submission guidelines to a T. Customize your cover letter to each. Know what the publisher wants, and tell them why you believe your book is right for them in light of that. Let it show in your attitude and tone that you realize how few manuscripts are chosen for publication each year, and by the fact that you have done your homework and covered all the bases to ensure you’re giving the publisher everything they need to make a decision on your manuscript. Avoid gushing and flattery, like adding the obvious sentiments, â€Å"I’ll do anything you say, make any changes you want, meet any deadline†¦Ã¢â‚¬  Just present your complete proposal and professionally express that you look forward to hearing from them. A rule of thumb for first-time authors: If you’re writing fiction, while some publishers may ask you to send your completed manuscript after reading your proposal, synopsis, and sample chapters, it’s highly unlikely they will actually offer a contract before they see that completed manuscript. That’s because many people can come up with great ideas, and some can produce promising starts to novels. But few can see their way through to the end. So you’ll have to prove you can do it. If you’re writing nonfiction, you might be able to secure a publishing contract before you have finished your entire manuscript, though that is also rare. Should it happen, the publisher is likely to offer a lot of guidance and input for shaping the rest of the writing- and you’ll have a much better chance of success if you work nicely with your editor. Regardless your genre, publishers won’t take a second look at your manuscript unless it’s presented professionally. Use these submission guidelines: Use Times New Roman font (or at the very least avoid sans serif fonts). Use 12-point type. Left-justify your page. (This means your text should be aligned at the left margin, but not the right. This is also called â€Å"flush left, ragged right.†) Double-space your page with no extra space between paragraphs. Each paragraph should be indented one-half inch. One space between sentences. Microsoft Word .doc or .docx file format. 1† top, bottom, and side margins (or whatever is standard in your Word program). Editing Your Book Like Crazy (Again) with an Editor By the time you get to this point, you’ve already spent hours editing your own work. You’ve rearranged, improved, and cut things that hurt to cut. Be ready to do more. Once a publisher agrees to take your manuscript, you’ll be assigned an editor to make your manuscript the best it can be. This editor will suggest changes, maybe major ones- especially if it’s your first book. Don’t get touchy. Writing is not a solo. It’s a duet between the writer and an editor. Sometimes you’ll have to kill sentences that took hours to write. It’ll feel like disowning your children. Remember, the editor is on your side. Throw a private temper tantrum if you must, but then cool down and listen. Let them to do their job. You can push back respectfully if you feel strongly that they’ve missed your point on something, but do this only when the sting of criticism has worn off and you’re thinking rationally. Keep an open mind and beeasy to work with. They’ll remember. 4. Should You Self-Publish? Want to save this 5000-word guide to read later? Click here to get a free PDF version you can read anytime. If you can score with a traditional publisher, do it. Exhaust your efforts to traditionally publish before resorting to self-publishing. Even honest self-publishing executives will give you this advice. Why? Because with traditional publishing, the publisher takes all the risks, and you’re paid an advance against royalties and royalties based on sales. So nothing comes out of your pocket. With self-publishing, however, you pay for everything from design to editing. Packages can cost upwards of $10,000. Back when self-publishing was referred to as â€Å"vanity publishing,† you could always tell a self-published book from a traditionally published book due to the lack of quality. Schlocky covers, boring titles, the word by before the author’s name on the cover. Too much copy on the front and back covers. Poor typeface and interior design. Lousy writing, editing, and proofreading- sometimes clearly nonexistent. But the game has changed. Publishing your own book is vastly different than it used to be. Your end product can now look much more professional, and your price per book is much more reasonable. Print-on-demand technology now allows for low-cost printing, so you can order as few as two or three books at a time for the same cost per book as you would pay if you were buying hundreds. So, you no longer need to store countless copies in your garage or basement. And self-published books look nicer these days too, because writers have demanded it. How to Set Your Self-Published Book Apart If you resort to this route, realize that you are the publisher now. You have to advertise, promote, and market your own book. But because you’re earning the profits after expenses, not just a royalty, a successful book will net you more money per copy than a traditionally published one. Admittedly, selling enough self-published copies to actually net you more money than you would make selling more traditionally at a lower royalty rate is rare, but it happens. It’s also rare that a self-published book finds its way to bookstore shelves outside the author’s own town. (The hard truth is that it’s not easy for even traditionally published books to place their books in bookstores. Experts say as few as one percent of all published books can be accommodated by bookstores and that the rest must be sold through other channels like the Internet, direct mail, and by hand.) To give your self-published title the best chance to succeed, you need to invest in: A great cover, which will involve purchasing a photo or artwork, type design, and layout Inside layout, type design, and typesetting Editing (resist the urge to use a relative who majored in English or even teaches English; book editing is a specific art) Proofreading (same caveat as above; friends and loved ones who are meticulous spellers are not enough; there are myriad style matters to deal with) Each of these elements will dramatically increase the professional look of your final product and, thus, your hope of selling more books. Do NOT skimp on them. If you’ve ever built a house without a contractor, you have an idea of how complex this will be if you do it right. So despite the fact that many self-published authors swear by it and believe it’s fairer to the author than traditional publishing, I maintain that traditional remains the ideal for authors- except for those unique titles that are targeted to deserving but very limited audiences. Choosing the Right Company to Self-Publish Your Book More than 400,000 books are self-published every year in the United States alone. So there are many companies to choose from. But sadly, many are wolves in sheep’s clothing. They’ll let you create a poor product and tell you it’s great. They’ll â€Å"award† you a contract, telling you their publication board has â€Å"evaluated† your manuscript and â€Å"found it worthy† to be published. They’ll tell you that they’re â€Å"not a subsidy publisher† or â€Å"not a self-publisher† or â€Å"not an independent publisher.† But they’ll use another euphemism to justify the fact that you’re paying â€Å"only for promotion† or â€Å"only for [this many] copies,† or â€Å"only for†¦Ã¢â‚¬  something else, when the fact is that the fee will cover all their costs and will include their profit. They’ll imply they can get your title before the eyes of every bookstore owner and manager in the country. They might even give examples of a few titles of theirs that have sold into some stores or even made some bestseller list. But they can’t guarantee your title will be sold into any store. Because that list your title is on that is â€Å"available† to every store owner and manager is merely a master list of all the books on some distributor’s Internet site of every title in their catalogue. That means your book will get no personal attention from a salesperson and no more emphasis than any of the tens of thousands of other titles on the list. Such companies are using you as little more than a content generator, pretending to have â€Å"chosen† your book from among the many they have to choose from, when the fact is they would publish anything you send them in any form, provided your accompanying check clears the bank. Be wary of any company that: Doesn’t take seriously the editing and proofreading of your book Lets you commit embarrassing typos such as spelling foreword as forward, foreward, or forword Allows the word by before your name on the cover Over-promises what you should expect in the way of personal sales representation, public relations, marketing, distribution, and advertising That said, when you do need to self-publish, legitimate companies with proven track records are ready to assist you. Do your homework and go beyond an Internet search, which will likely turn up beautiful websites for countless companies putting their best foot forward. So find previous customers and ask about their experience. You want a company who will answer every question straightforwardly and without hesitation. If you feel hard-sold, run. A litmus test question for the publisher: Ask if they would advise you to exhaust your efforts to traditionally publish first. I asked this of the head of WestBow Pressâ„ ¢, a division of Thomas Nelson and Zondervan, and he said he always advises customers that this is the ideal route. That kind of refreshing honesty bodes well for a company. The #1 Killer of Self-Published Books When writers run out of money to invest in their book, too often the first place that suffers is the content itself. Writers may understand that they are not experts in cover design, layout and typesetting, marketing and promotion, warehousing, distribution, and sales. But they overrate their writing and editing and proofreading abilities. So, they invest in those other services and cut corners on editing and proofreading. What they wind up with is a handsome product that looks like a real book but reads like the manuscript that made the rounds of the traditional houses and was rejected. You must determine what will set you apart in a noisy marketplace. That certain something that will set you apart is what it has always been: Writing quality. Having been in the writing game for 50 years and the book business for 40, that is something I am able to tell you. To use an ancient adage, cream rises. That may sound like something scratched on a cave wall. But it simply means that readers recognize quality. You or your agent may be looking for a deal from a traditional publisher. Or you may have chosen to self-publish online, in print, or both. Regardless, you want your manuscript to be of the highest editorial quality you can make it. What does that mean? It means you must: Learn the craft and hone your skills. Rigorously study writing, do exercises, write stories. It can all pay off. Just as with physical exercise, the more the better, but anything is better than nothing. Recognize that writing well is much harder and more involved than you ever dreamed. If you thought writing was merely a hobby, this realization could crush you. So, to push through, remember why you wanted to become a writer in the first place: You have a message, and people need to hear it. Dont trust friends’ and relatives’ flattery. Sure, they’re great for keeping you from quitting. But when you need solid input on your writing, their enthusiasm won’t translate to sales. Accept criticism and input from people who know what they’re talking about. Find an experienced writer or editor who’ll offer honest feedback on your work. Join a writers group. Attend writers conferences. Get a mentor. Free Download: Want your own copy of this guide? You can grabthe full PDF version by clicking here or on the image below: If you really want to become an author, it can be done. You’ll know you’re ready when you’re willing to carve the time from your schedule to write. So how badly do you want it? Tell me in the Comments below.

International Accounting Standards Essay Example | Topics and Well Written Essays - 4000 words - 1

International Accounting Standards - Essay Example When comparing its financial position and results of operations for the last year or years, competitors located in the same country like the United Kingdom can be easily compared and contrasted. A little difficulty arises when the financial statements of competing companies are compared and one company is located in the United Kingdom and the other stiff competitors are located in other countries like the United States, Japan, Canada, Brazil, China, India etc. They say that accounting is the language of business. Just as misinterpretation could be eliminated if people from Germany and Spain understand each other, misunderstandings and variances in the interpretation of the balance sheet and income statement are due to the different financial statement standards and methods of reporting which includes costing, billing and cost distributions. One major problem is that each country has researched and approved own generally accepted accounting principles individually. Generally Accepted Accounting Principles (GAAP) are the widely accepted set of rules, conventions, standards, and procedures that are used for reporting financial information which are researched and established by the Financial Accounting Standards Board of each country. (Sanella, 1991) One example of a generally accepted accounting principle is the United Kingdom's generally accepted accounting principle as to when to record a transaction as cash or receivable or another accounting data.Another problem is that the individual financial data ( Belkaoui, 1999) reported in the financial statements are cash inflows and cash outflows that are inherent and unique to each country. For example, average daily salary paid for the factory worker in competing companies will have a big disparity because salaries of production personnel in third world countries like India are estimated to be ten times lower than the average daily wage of a production worker in the Great Britain or Germany.Another problem is that the modes of transporting the goods in India or Brazil is not as advanced or fast as the mode of transportation in the United Kingdom or the United States.As of this time, there is no one size fit all when it comes to global accounting standards. In relation to this topi c, The European Union which is a conglomeration of individual independent states in Europe, including the United Kingdom, has come up with the European Court of Justice that gives decisions on cases within the European Union community even though each country has its own courts of law.The Tax consultants, accountants and financial statement analysts are at odds when comparing electricity, salary, rent, asset amortization and depreciation, assignment of values to assets between countries. We know that the standard of living in London is very much higher than the standard of living in China.Each accountant, financial stateme

Week 6 Discussion Personal Statement Example | Topics and Well Written Essays - 250 words

Week 6 Discussion - Personal Statement Example Jobs was of the view that the greater the effort and the longer the time you put out into developing something, the greater will the productivity be. In a 1996 PBS Documentary, Triumph of the Nerds, Jobs said, â€Å"We have always been shameless about stealing great ideas† (Isaac, para.7). Hence, through his utilization of great ideas, he brought a revolution in the world of technology. â€Å"Start it and stick with it; change the world,† was Steve Job’s message to the world (Isaac, para.1). His most important trait was commitment to his work. He stuck with his ambition; and, due to his great efforts, now every single person has a mini-computer in his pocket in the shape of smart phone. Hence, it can be said that Steve Jobs was the most successful leader in the tech world, who invented a myriad of great devices and gadgetry through commitment and determination. He revolutionized the concept of leadership, and introduced such exquisite devices that the world will thank him for

Wi-Fi Appealing Technology Assignment Example | Topics and Well Written Essays - 1000 words

Wi-Fi Appealing Technology - Assignment Example Some of these technologies are â€Å"the wireless protocols 802.11a, 802.11b, and 802.11g. The Wi-Fi Alliance is the body responsible for promoting the term and its association with various wireless technology standards† (wi-fihotspotlist.com, 2011). The following figure shows how the Wi-Fi technology works. There is a wireless router at the access point that is generating signals within a range that are being identified by the Wi-Fis installed in the laptops, so they can use the Internet service without connecting any cable. The Wi-Fi Technology (David, 2009). 2) Why did you choose this technology I chose the Wi-Fi technology because it has made my life easier and has improved my social networking tendency. Wi-Fi provides me with access to the Internet. I consider Internet as my most fundamental necessity, and Wi-Fi happens to be the most convenient source of Internet so far. I try to remain online for most of my day in which I am awake because it helps me promote social netw orking. In the present age, social networking is the key to success and Internet helps me strengthen that through such social media websites as Facebook, Twitter and Skype. I am able to connect with my friends anywhere anytime as long as I have my Wi-Fi with me. Owing to its importance in my life, I have chosen the Wi-Fi. 3) If you choose a technology that you like, describe what you like about it Internet was important to me even in the days in which I had cable Internet, but that proved quite inconvenient in that I had to remain at the same place in order to use the Internet. I could not move beyond the length of my cable. Plugging in and detaching the cable was no less heck. Besides, I had to adjust the cable every time I sat so as to ensure it does come in anybody’s way. I could not operate Internet on my mobile with the cable connection. I like Wi-Fi because purchasing it has made my life way easier. I could roam about the place anywhere to use the Internet as long as I remained within the range of the Wi-Fi signals, which fortunately is sufficiently wide. Now I can avail the opportunity of using the Internet both on my laptop as well as my mobile. There is no cable that needs to be adjusted, attached or detached. All I need to do to connect the Internet is push a button on the keypad of my laptop or mobile. Although apparently it seems little change since the quality of service has remained unaltered, yet it has improved my productivity manifolds as I am able to connect with my friends more often than ever before. 4) Also describe what you do not like about this technology. What would you aim to improve? Bring ideas! What I don’t like about Wi-Fi is the fact that its charger needs a constant supply of electricity. This puts me in trouble when I have to use it in places where there is no electricity. Carrying the Wi-Fi around is also inconvenient since it is a large device. I would greatly appreciate if the developers could come up with a Wi -Fi device that is as small as a USB flash drive so that I may carry it around in my pocket. Another feature that can enhance its usability manifolds is giving the Wi-Fi device a battery backup with cells. I want to break free of the need to have an electric connection in order to turn my Wi-Fi device on. I don’t know if that is possible, but I would love to have a laptop that has in-built Wi-Fi Internet as a feature. In an ideal world, I would be sitting in the midst of a forest with a laptop on my lap and use the Internet without attaching anything to my laptop. I would not mind if such an Internet service costs me few dollars more! 5) Describe the history of this technology: its development process, inventor(s), people and companies involved in its development and